Submerged Grace Transparent Rose and Poppy SpecimensThe Glass series examines botanical form through a process that renders flowers translucent, revealing their internal structure with forensic clarity. By removing surface pigment and allowing purified water to occupy the capillaries of the petals, the works expose skeletal fibres and vascular veins ordinarily hidden from view. This transformation produces images that recall anatomical studies or radiographic views, offering an unprecedented

Water functions simultaneously as symbol and method

dated & annotated verso

Unique archival pigment print on bamboo conservation paper finished with a museum varnish

Suitable for interior use only

all the while inflicting Ecocide on society as a whole much like the smoking lobbyists of the 1950´s

passing through liquid and air to produce luminous fields that recall the depth and tonal subtlety of painting

By rendering commercial emblems as fleeting floral arrangements

finished UV museum archival varnish

annotated & numbered (recto)

0113’  dated 2017

dated 2009

Dated 2010