UntitledRon Rumford sees his prints as maps or tracings of abstract journeys. They can be metaphors for real, physical travels, or completely imagined. He likes the tension that develops between the line and the shapes the line makes. The irregular shapes of the printing plates further imply that time and space are distorted and are never what we think they are. He does not want to prescribe how the prints should be viewed. His best hope is that the viewer

As the primary site of expression

icons of American pop culture

It’s like seeking one’s axis mundi or a single tune with several improvised arrangements

I was in a rolling sea

because sometimes it interests me more than the final product

The language is clear and universal

They are much like treesand leave behind the mark of man’s intervention on nature

they simultaneously reveal and conceal

Zelt's practice is centered on material exploration

Proceeds from the sale of works at that exhibition

The space between musical notes

Published by Brandywine Workshop and Archives