Cool Maritime - Big Earth EnergyHaving crested the west coast modular ambient wave in just a few releases including 2018s Sharing Waves on the influential LA experimental imprint Leaving Records Sean Hellfritsch has swapped the mossy analog synth improvisations of his prior output for refined melodic arrangements dressed in sprightly dawn of digital textures. Big Earth Energy plumbs the depths of Hellfritschs multimedia mind and naturalist heart, spinning an impressionistic

Peter ‘Sleazy’ Christopherson and Genesis Breyer P-Orridge)

performed as the backbone of Yoko Ono’s reformed Plastic Ono Band

but it‰۪s often strikingly rhythmic in nature and cohere‰۪s perfectly

Back your own horse

Cluster and Eno display the forming of a sound which would come to characterise the electronic fringes for decades to come whilst retaining a tacit link to the past which Eno explains in the sleeve notes as being "a sort of European alternative to the African route that most other pop music had taken"

Available on limited edition blue vinyl

Having competed in the Eurovision Song Contest and acted in a Roger Vadim film

cathartic and vital as anything they’ve ever put out

Public Image - this new generation of artists also show an exquisitely open source of electronic and disparate influences

Day By Day

Bunny Lee’s first recordings in the late 1960s were mainly rock steady but as the 70s approached the music soon began to mutate and slow down into ‘reggae’ as the sound became heavier

Karma Man and In The Heat Of The Morning