ARONE MEEKS | 'Gender Spirit II' | 2017 | Lithograph | Paper: 1215 x 805 mmAt the heart of the work is Meeks unique visual languagewhere ancestral knowledge systems intersect with contemporary experience. Influenced by the Quinkan rock art traditions of Cape York and the ancestral presence of the Rainbow Serpent, his works evoke a living cosmology of guardianship, movement and renewal. Recurring formswaterholes, woven vessels and flowing systemsspeak to the interconnectedness of people, place and cultural responsibility.

KASSANDRA SAVAGE | ‘Boyd's Forest Dragon on Kuku Yalanji Country at Mossman Gorge’ | 2025 | Monoprint | 76 (h) x 56 (w) cm

MARGARITA ZORRILLA | 'Untitled 6’ | Watercolour | 20 (H) x 25 (w) cm

His father is Ganggalu

LOIS HAYES DESIGNS - Wearable art defined by the environment of Far North Queensland

and we refer to this darkness as Dogai pudaizinga

contextualising Jill’s career as an artist working in Far North Queensland since the early 1990s

"Mathali means sea eagle in our language

just to name a few

At the top of the helmet is a Christian cross and women mourning for the loss of fathers

what ever she needs to tell an intended story

Details: AGNES KOHLER | 'Dulkayarra (Blue Spotted Stingray)' | 2018 | Painting / stretched | 121 x 91 cm

GIRRINGUN ART CENTRE – Nephi Denham | ‘Recycled Woven Basket’ | 2019 | 22 (h) x 8 (dia) cm | Electrical wire / Blue