TadaimaTadaima by Annemarieke van Drimmelen (b. 1978, Dutch) is an intimate portrait in respect to the heartache and its beauty of a journey homeward. At age ten Annemarieke acquired a camera for the first time, her mothers, merely after her passing. By picking up the camera she was adept to perceive her mother slightly better by photographing small moments; her fathers hands, light reflecting on the waterit was her way of keeping a diary. In recent years

and Marianne Faithful

recording various celebrations

the coastal region straddling Georgia and South Carolina near where the Ogeechee River meets the ocean with the aim of documenting the nuances of issues driving news cycles and political divisions through the lens of one place in America

the hard edges of an automobile

the first being a solitary one

such as Lee ‘Scratch’ Perry

Trenchtown Love and Gypsies

I bought a very damaged copy of Thomas Pynchon’s Gravity’s Rainbow

and individual life in the Third Ward

the late Norwegian photographer Tom Sandberg spent decades rendering the world according to an exacting vision

‘I wanted to do something so absolutely different

in some palpable sense